Poetry and War Workshop
Inner Process Writing, Poetry Workshops| 1 Comment »My next workshop is on the subject of war. In creating this 10-week series, I’ve been contemplating the relationship between poetry and war, and also the reason why poetry is so therapeutic. Each time I encounter a poem, or listen to someone speak about poetry and its process, the relationship between poetry and emotional healing becomes clearer to me. At a reading I went to just the other day a woman stood up during the comment period and told of how she relied on the poets to help her make sense out of 911 after it occurred. She said the event was too large for her to hold–it was incomprehensible, and that only poetry was able to ground it and shatter her sense of dissociation.
One of the reasons poetry can do this is because it has the ability to hold the tensions of opposing forces while remaining firmly committed to imagery and substance. Poetry’s job is not to sew up and make into sensible soundbites the pain and tragedies of our lives. It’s job is to evoke a feeling of sympathetic resonance in the person reading–whether that is joy, or nostalgia, or existential dread, or the poignancy of a loss, poetry is a path of empathic intimacy. Why else would poets write?
In a poetry workshop I participate in each week, I recently had the experience of sharing a poem about my childhood. As the other participants read and workshopped my poem, I had this incredible sense of feeling understood–they really “got” what I was trying to say. This is not a “therapeutic” workshop, per se, but as they explained their reactions and thoughts, even though some parts of the poem were not working, my overall sensation was almost–dare I say?–pleasurable. My sense of pleasure in sharing this poem came from seeing how it effected others. This little piece of my childhood experience at the dinner table became a point of meeting–of feeling responded to and seen in a dark moment of my childhood.
In writing the poem, it seemed as though I was making sense of something I could hardly describe in the usual sorts of words we might use in a therapy session. By describing certain details and indicating the mood through word choice and syntax, I felt I came closer to what I was trying to communicate. Meaning was made out of situation that had previously lurked formlessly and loose in the corners of my consciousness.
I guess that’s why I think poetry will be useful for people struggling with this idea of war. What other form could possibly hold, without strident arguments and extreme positions, the complex of feelings that emerge around the issue of war? And what other form has the power to influence feelings of others who are stuck in solidified positions? If I can draw a picture with words the look on the face of a terrified soldier, or a mother clinging to an infant in her mind as her son leaves to join an army, then I can reach past arguments and blame, and hopefully capture the heart of a reader.
If my words can somehow find their way to the right readers, that is. Which is why there is a slight activist/protest element to the workshop I’m designing. Whether through a reading, website postings, or other methods, I will invite participants in my workshops to find a way to share their poems publicly. The dialogue of poetry can then find peaceful and non-violent ways to quietly protest in the psyche of the hearers…
(For details about time and location of workshop, please visit my website)














