6 Ways Pablo Neruda Can Heal the Inner Critic
Writing as healing| 1 Comment »This past weekend I attended a poetry workshop that featured the work of Pablo Neruda, only to discover my inner critic is still alive and well as I tried to read freshly written first draft poems to people I’d met that day! The workshop was led by Lorraine Healy, a wonderful poet (and photographer) from Argentina whose passion and gift for teaching became apparent right away. I knew very little about Neruda’s life, and had only read a few of his poems, and of course, I’ve seen the movie…. Through Lorraine’s teaching the poet was enlivened, and his deep humanity and love for the ordinary touched my heart…however…
Faced with reading my poems aloud to strangers stirred something else. Having worked consciously and diligently on my inner critic for some years now, I found my critical beast still quite healthy with regard to my writing. I felt its weight, its heaviness and hold on me, and its smothering quality as words seized up in my fingers before I could even get them to the page. Surprised by this, I began to wonder about why this strong hold still exists in this particular part of my life. And part of what I realized was that I was actively comparing myself to others in the workshop, sizing myself up–”well, maybe I’m not as good as her, but I think I’m better than…” I started to notice how this protective voice was overwhelming my ability to focus on what I was doing, what I wanted to say. I was editing as I was writing, thinking about how others would read it, forgetting my connection with the content and heart of what I wanted to say.
And then we read Neruda’s Ode to Criticism. Although Neruda was probably speaking of actual criticisms his body of work received, I took great comfort in his description of how his writing and its movement was held: from simple writing, through the misguided products of critique, and then back to the simple writing again, once the hoopla had settled. Neruda described his writing as ordinary objects to be used and lived in and slept with and fondled and loved. He described how distorted all of this became when the writing itself was under scrutiny by critics such as “The English,” and the scholars, and all of the academic posturing that we still endure, to this day, when critics get their hands on something, shredding it with their intellectual acuity, destroying what may have had tenderness, and heart, and feeling…using, of course, the elite language and popular phrases of the day to do so.
And isn’t this what we do to ourselves? Before we can just enjoy our natural impulses and inclinations, our inner critic lights up and bends over us and begins to shred our tender offerings. So of course our defenses rise–well, I’m better than so and so, at least, or I didn’t sleep well last night, or fill in the blank–our excuses come to rescue us from this bare assault.
So what did Neruda do in this poem, and in his life? This is my perspective on it so far:
1. He recognized the simplicity of his offering, his life, and his work. He embraced the ordinary, and loved it as something exceptional and worthy.
2. (I’m fairly certain) he didn’t make comparisons. He humbly accepted exactly what he had to give as something unique to him, and beautiful.
3. He found a way to creatively challenge his critics, channeling their confused interpretations into his own work and providing himself an outlet that way. And he simply listed their confusion–he didn’t argue with it, or engage it. He illustrated what happened, then moved on.
4. He didn’t let them stop him from writing. He wrote prolifically. He listened to himself, and not to them.
5. Rather than placing himself above his critics or readers, he let his writing deepen his humanity and compassion. He set the tone and rules for his writing. He believed in it with all of his heart, and served the people rather than the critics. Doing so, he showed us that intention and love is more important than attempting to please the literati or academics.
6. He revolutionized poetry.
To sum up, especially the last point, throwing off our inner critic is an act of disobedience–it is subversion. Slowing down, noticing life, and daring to write what we see is counter to our efficient and driven culture. It is a turning toward ourselves, taking time to be with what is most important. We create space in ourselves and in our lives. We allow ourselves to be, and we dare to think what we scrawl onto the page is worthy. All of my life, I’ve written under this critical gaze, and have managed to write in-spite-of it. Armed now, with Neruda’s poem, I think it’s going to go easier for me. I can post it somewhere near where I write, and remember, no matter what, this writing is ordinary, daily, and as absolutely necessary as food. It deserves to be held and treated with respect, given its voice and its due. It doesn’t have to be brilliant in the eyes of anyone else. It just has to be.


















